The current issue of the International Journal of Comic Art was released last month. Please support the journal by checking out the contents list for Vol. 25, No. 1 (Spring/Summer 2023) from its blog (accessible from this link) and consider placing an order for a print or digital subscription.
Originating in 2010, Saving the Day: Accessing Comics in the Twenty-first Century is designed as a aid to furthering studies of the comics, comic art, and translations of comics into/from other media. The blog is associated with both The Arthur of the Comics Project, an effort of the Alliance for the Promotion of Research on the Matter of Britain, and The Medieval Comics Project, an effort of the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture.
"WITH GREAT POWER THERE MUST ALSO COME -- GREAT RESPONSIBILITY!"
Stan Lee, "Spider-Man!" Amazing Fantasy No. 15 (Sept. 1962)
Saturday, October 14, 2023
Sunday, April 2, 2023
Out Now: IJoCA for Fall/Winter 2022
The current issue of the International Journal of Comic Art was released last month. Please support the journal by checking out the contents list for Vol. 24, No. 2 (Fall/Winter 2022) from its blog (accessible from this link) and consider placing an order for a print or digital subscription.
Thursday, March 2, 2023
Katsiadas on Romanticism in Comics
Congratulations to advisory board member, Nick Katsiadas, on his new book from RIT Press. Here are the details.
Romanticism in Comics: Faith, Myth, and Mood
Price:
$34.95
DETAILS
Publisher: RIT Press (12/2022)
ISBN-13: 9781939125934
Binding: Softcover
Pages: 114
Illustrations: 9
Size: 7 x 10 in.
Shipping Weight: 1lb
Overview
Comics studies scholars engaging comparative mythology tend to limit critical approaches to superhero fiction and classical and religious texts. Even the popular argument that superheroes are a “modern mythology” typically does not venture outside these limitations. Tolkien’s legendarium, Lovecraft’s mythos, Tennyson’s revisions to Arthurian myth, and Blake’s mythology don’t quite fit the creative models that prevailing criticism considers in comparative studies. Nick Katsiadas explores a greater literary history of myth in comics in his examinations of Neil Gaiman’s Sandman, Alan Moore and J. H. Williams III’s Promethea, and Mike Carey and Peter Gross’s The Unwritten. The Romantics particularly used myth to highlight ideas about the value of imagination and creativity, and Katsiadas traces how these ways of thinking about literature and the arts persisted up through twentieth- and twenty-first-century comics. In this way, Romanticism in Comics helps us better understand comics’ greater literary history and, also, helps us reread and better situate Romanticism’s legacy in twentieth- and twenty-first-century art forms and ways of life.
Reviews
“Katsiadas expounds his central thesis with insight and precision, placing modern graphic narratives plausibly and compellingly within wider literary traditions.”—Mike Carey, writer for The Unwritten, Lucifer, and Hellblazer
About the Author
Nick Katsiadas is an instructor in the Department of Languages, Literatures, Cultures, and Writing at Slippery Rock University of Pennsylvania. His research focuses on European Romanticism, its echoes in later experimental narratology, and graphic narratives. He is the author of “Mytho-Auto-Bio: Neil Gaiman’s Sandman, the Romantics, and Shakespeare’s The Tempest” and “The Unwritten: Romanticism in Comics?”
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