"WITH GREAT POWER THERE MUST ALSO COME -- GREAT RESPONSIBILITY!"

Stan Lee, "Spider-Man!" Amazing Fantasy No. 15 (Sept. 1962)

Thursday, July 18, 2024

CFP Superheroes and Disability on Screen Collection (8/15/2024)

Superheroes and Disability on Screen: Intersectional Perspectives on Super-Bodies and Super-Identities as Politicized Spaces


deadline for submissions:
August 15, 2024

full name / name of organization:
Lorna Piatti-Farnell, Auckland University of Technology and Katie Ellis, Curtin University

contact email:
lorna.piatti-farnell@aut.ac.nz

source: https://call-for-papers.sas.upenn.edu/cfp/2024/06/09/superheroes-and-disability-on-screen-intersectional-perspectives-on-super-bodies-and



The editors of the volume are calling for chapter abstracts for a volume focused on the representation of disability in superhero film and media, with a particular focus on intersectional discourses of race, ethnicity, gender, sexuality, power, and beyond. The volume will provide perspectives on the growing field of superheroes and disability by placing a specific focus on screen representations. As such, the collections will engage with critical debates over super-identities and super-bodies as politicized spaces in the 21st centuries.

This volume is intended for inclusion in the recently established book series on Superhero Studies, published by Lexington/Rowman&Littelfield. For more information, please see here: https://rowman.com/action/series/_/lexshs

Topics for the volume may include, but are not limited to:

  • Superheroes, disability, and race/ethnicity
  • Superheroes, disability, and gender/sexuality
  • Superheroes, disability, and Indigenous discourses
  • Superheroes, disability, and the body
  • Superheroes and neurodivergence
  • Superheroes, disability, and power
  • Superheroes, disability, and capitalism
  • Superheroes, disability, and grief/trauma
  • Superheroes, disability, and memory
  • Superheroes, disability, and history
  • Superheroes, disability, and LGBTGI+ discourses
  • Superheroes, disability, and war
  • Superheroes, disability, and digital representations
  • Superheroes, disability and AI
  • Superheroes, disability, and trans/posthumanism
  • Superheroes, disability, and fandom
  • All of the above, with a focus on supervillains

If accepted, final chapters will be 5-6,000 words, and needed by September 2025.

The deadline for submission of abstracts (of around 250 words, plus 100-words bio) is 15 August 2024. Please send abstracts to attention of both editors:

Professor Lorna Piatti-Farnell: lorna.piatti-farnell@aut.ac.nz

Professor Katie Ellis: katie.ellis@curtin.edu.au



Last updated June 11, 2024

Saturday, April 27, 2024

CFP Comics and Film: An Uncanny Relationship Conference (5/15/2024; Prague/hybrid 8/23/2024)

Comics and Film: An Uncanny Relationship


deadline for submissions:
May 15, 2024

full name / name of organization:
FAMU

contact email:
petra.dominkova@famu.cz

source: https://call-for-papers.sas.upenn.edu/cfp/2024/03/28/comics-and-film-an-uncanny-relationship


Comics and Film: An Uncanny Relationship
FAMU, Prague, Czech Republic, August 23, 2024; hybrid
Deadline for proposals: May 15, 2024
Petra Dominkova

The conference "Comics and Film: An Uncanny Relationship" explores the intersection between the 7th and 9th arts – Cinema and Comics – from various perspectives. We welcome case studies of adaptations between these two media, with particular emphasis on submissions focusing on the adaptation of films into comics (rare, therefore much less discussed; e.g. Alien, 1979, or Outland, 1981-2). Additionally, we encourage proposals examining how comics studies reference film studies. Comics studies often utilizes the vocabulary of film studies and we aim to organize a panel focused on analyzing these texts and discussion about how the vocabulary (and overall the references to film) are being used, and perhaps why – how do they enrich the comics studies?

Studies comparing specific formal aspects used in film versus comics are also welcome. These may include the use of close-ups, off-screen sound, work with space (including off-screen space); framing; sound-effects or ambient sound; use of flashbacks or flashforwards, and more.



Therefore, submissions for the conference "Comics and Film: An Uncanny Relationship" should offer new perspectives on the relationship between film and comics, whether discussing particular adaptations or focusing on visual storytelling in general, emphasizing both similarities and differences between the two media.



We welcome abstracts in English (max. 400 words) along with a short biography (max. 150 words) until May 15, 2024, at the email address petra.dominkova@famu.cz. If you have any questions, please feel free to contact us.



The conference will be held at the Film and TV Faculty of the Academy of Performing Arts in Prague, Czech Republic on Friday, 23rd of August, 2024. As the conference is the result of institution-supported research, there is no conference fee. The conference will last one day, with five panels, one of which will be online to accommodate participants who cannot be physically present in Prague for any reason.



Last updated April 1, 2024