The Smallville Chronicles: Critical Essays on the Television Series
Edited by Lincoln Geraghty
List Price: $40.00
ISBN: 0-8108-8130-6
ISBN-13: 978-0-8108-8130-3
Pub Date: Sep 28, 2011
176 pages
Binding: Cloth
Availability: Not Yet Published
List Price: $40.00
ISBN: 0-8108-8131-4
ISBN-13: 978-0-8108-8131-0
Pub Date: Sep 28, 2011
176 pages
Binding: Electronic
Availability: Not Yet Published
DESCRIPTION
In 2001, yet another adaptation of the Superman comic book came to television. Lasting 10 seasons, Smallville took the traditional Superman story and turned it into an American teen action drama about Clark Kent's life at high school—before he donned the famous blue tights and red cape. Instead of depicting Superman's clashes with criminals in Metropolis, the show focused on how Clark first developed his powers and learned to cope with girls, school, and teenage angst. Although largely overlooked by critics and derided by Superman fans who regarded it as too far a departure from the comic book canon, Smallville nonetheless endeared a whole new generation of viewers. The setting, style, narrative, and cast of fresh-faced actors suggested that the Superman story was not only ready for a makeover but also still relevant for a post-9/11 American audience.
In The Smallville Chronicles: Critical Essays on the Television Series, scholars examine the multiple narratives of the Smallville universe. Addressing issues related to gender, sexuality, national identity, myth, history, and politics, these essays explore how the series uses the Superman story to comment on contemporary social issues. Additional essays investigate the complex relationship the show's audience has with the characters through blogging, fan fiction, visits to filming locations, and the creation of websites.
As the first book-length study specifically focused on the Smallville television series, this collection is an excellent text for studies in science fiction, fandom, and teen television scholarship, and it will also have general appeal to fans of the show.
CONTENTS (from Loc.gov):
Introduction: investigating Smallville / Lincoln Geraghty -- Texts and Contexts. From comic book to bildungsroman: Smallville, narrative, and the education of a young hero / Stan Beeler -- Televisual transformations: myth and social issues in Smallville / Karin Beeler -- The Kryptonite closet: silence and queer secrecy in Smallville / Jes Battis -- No flights, no tights: Smallville and the roles of special effects in television / Rayna Denison -- Audiences and meta-texts. Smallville: superhero mythos and intellectual property regimes / Ian Gordon -- Vids, vlogs, and blogs: the participatory culture of Smallville’s digital fan / Juli Stone Pitzer -- "I’ve a feeling we’re not in Kansas anymore": Examining Smallville’s Canadian Cult Geography / Lincoln Geraghty -- Sacrifice or Salvation? Smallville’s Heroic Survival Amidst Changing Television Trends / Michael S. Duffy -- Index.
ABOUT THE EDITOR
Lincoln Geraghty is principal lecturer in film studies in the School of Creative Arts, Film and Media at the University of Portsmouth. He is the author or editor of several books on popular culture, including Living with Star Trek: American Culture and the Star Trek Universe (2007), Channeling the Future: Essays on Science Fiction and Fantasy Television (Scarecrow, 2009), and Directory of World Cinema: American Hollywood (2011).
Originating in 2010, Saving the Day: Accessing Comics in the Twenty-first Century is designed as a aid to furthering studies of the comics, comic art, and translations of comics into/from other media. The blog is associated with both The Arthur of the Comics Project, an effort of the Alliance for the Promotion of Research on the Matter of Britain, and The Medieval Comics Project, an effort of the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture.
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