Here are the contents for the International Journal of Comic Art Vol. 21, No. 1 for Spring/Summer 2019 as posted on the IJoCA site (http://www.ijoca.net/new/sub3_past.html#vol21no1).
It is a massive issue totaling 840 pages and can be purchased from the publisher at http://www.ijoca.net/new/sub4_subscript.html. Subscriptions are also available at the same link.
Ronald Stewart
Itō Hirobumi’s Nose: Syphilis in Early 20th Century Japanese Cartoons
Paul M. Malone
“You Are Leaving the French Sector”: Flix’s Spirou in Berlin and the Internationalization of German Comics
Anton Kannemeyer
As I Please: A Personal Reflection on Censorship
Annabelle Cone
The “Bobo” (bourgeois-bohème) as Post-Modern Figure? Gentrification and Globalization in Dupuy and Berberian’s Monsieur Jean and Boboland
Tania Pérez-Cano
Graphic Testimonies of the Balsero Crisis of 1994: Narratives of Cuban Detainees at the Guantánamo Naval Base
Ana Merino
Comics Reinventing Creativity in the Museum: Some Thoughts about the Show “Viñetas Desbordadas/Overflowing Panels”
Jon Holt
Ishii Takashi, Beyond 1979: Ero Gekiga Godfather, GARO Inheritor, or Shōjo Manga Artist?
Daniel F. Yezbick
Of Bears, Birds, and Barks: Animetaphoric Antagonism and Animalscéant Anxieties within Dell Funny Animal Franchise Comics
John A. Lent
Wang Ning, Beijing Total Vision Culture Spreads Co. Ltd., and the Transnationalization of Chinese Comic Books
Alvaro Alemán and Eduardo Villacís
Pointed Language: Reading Paola Gaviria’s Virus Tropical (2009) from the Perspective of the Visual Protocols of the Graphic Novel
Héctor Fernández L’Hoeste
On Butterflies, Viruses, and Visas: Comics and the Perils of Diasporic Imagined Communities
Anu Sugathan
The City and the Medium of Comics: Depiction of Urban Space in Sarnath Banerjee’s Corridor and The Barn Owl’s Wondrous Capers
Dietrich Grünewald (Translated by Christina Little)
Crossing Borders: Graphic Novels Quoting Art
Kent Worcester
That Chameleon Quality: An Interview with R. Sikoryak
Sara Dallavalle
Popular Format and Auteur Format in Italian Comics. The Case of Magnus
Sam Cannon and Hugo Hinojosa Lobos
Chile’s Military Dictatorship and Comics as Alternative Methods of Memorialization: Critical Approaches from Contemporary Chilean Graphic Novels
Leila Sadegh Beigi
Marjane Satrapi’s Persepolis and Embroideries: A Graphic Novelization of Sexual Revolution across Three Generations of Iranian Women
Mathieu Li-Goyette
A Sublime in Tension Around Alexandre Fontaine Rousseau and Francis Desharnais’ Les Premiers Aviateurs
Michelle Ann Abate
“They’re Quite Strange in the Larval Stage”: Children and Childhood in Gary Larson’s “The Far Side”
Magnus Nilsson
Marxism Across Media: Characterization and Montage in Variety Artwork’s Capital in Manga
Debarghya Sanyal
The Desi Archie: Selling India’s America to America’s India
Sina Shamsavari
Gay Male Porno Comics: Genre, Conventions, and Challenges
Anno Moyoco Yasuko Akiyama
Ambitious Women in Male Manga Magazines: Sakuran and Hataraki-Man
Aimee Vincent
“Hey Kids, Patriarchy!”: Satire and Audience on the Back Covers of Bitch Planet
Chad A. Barbour
The Fine Art of Genocide: Underground Comix and U.S. History as Horror Story
John Darowski
Superman’s Remediation of Mid-20th Century American Identity
Héctor Fernández L’Hoeste
A Matter of Affect: Illustrated Responses to the Immigration Debacle
Bi Keguan (Edited by Bi Weimin) (Translated by Xu Ying)
Random Notes of the Editorial Office of China’s Manhua Magazine
Chu Der-Chung (Zola Zu) with John A. Lent (Translation by Xu Ying)85
The Chus: A Family Teeming with Cartoonists
Alvaro Alemán and Eduardo Villacís
TFaith in Comics: Ex-voto Religious Offerings and Comic Art
Barbara Zocal Da Silva
Translated Hispano-American Comics in Brazil
Conversation with Jan Ziolkowski and Ariana Chaivaranon
An Afternoon with R. O. Blechman
John Gardner
Kennedy Conspiracy Comics: ¡en Español!
Michela Canepari
The Myth of Frankensteinfrom Mary Shelley to Gris Grimly: Some Intersemiotic and Ideological Issues
The Best We Could Do: A Mini-Symposium
Isabelle Martin
The Role of Water in the Construction of Refugee Subjectivity in Thi Bui’s The Best We Could Do
Debarghya Sanyal
A Burden of Tales: Memories, Trauma, and Narratorial Legacies in The Best We Could Do and Munnu
Francesca Lyn
The Fragmentary Body: Traumatic Configurations in Autobiographical Comics by Women of Color
A. David Lewis
A Graphic Medicine Prescription
Pioneers in Comics Scholarship
Kosei Ono
My Life with American Comics: How It Started
Shefali Elizabeth Mathew
Nature of Reality in the Graphic: “Calvin and Hobbes”
Introduced by Jochen Garcke
The Mindset of a Professional Exhibition Curator
Remembrances
Licia Citti
One Life, Many Loves: Dario Mogno’s Passion for Cinematography, Publishing, Comics, and Cuba
John A. Lent
The Printed Word
Shawn Gilmore; David Kunzle
Review Essays
Jean-Paul Gabilliet
Exhibition Review Essay
Rachel Kunert-Graf; Stephen Connor; Kirsten Møllegaard; John A. Lent; Maite Urcaregui
Book Reviews
Carli Spina
Exhibition and Media Reviews (edited by Mike Rhode)
Correction
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