"WITH GREAT POWER THERE MUST ALSO COME -- GREAT RESPONSIBILITY!"

Stan Lee, "Spider-Man!" Amazing Fantasy No. 15 (Sept. 1962)

Thursday, July 16, 2026

CFP Superheroes of the Squared Circle - Chapter Contributors (7/15/2026)

Superheroes of the Squared Circle - Chapter Contributors


deadline for submissions:
July 15, 2026

full name / name of organization:
Forrest C. Helvie / CT State Community College

contact email:
forrest.helvie@ctstate.edu

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/12/superheroes-of-the-squared-circle-chapter-contributors



CALL FOR CONTRIBUTORS

Superheroes of the Squared Circle:

The Intersection of Comics and Professional Wrestling

An Edited Academic Collection for McFarland & Co. Publishing

Editor: Forrest C. Helvie, Ph.D.

Connecticut State Community College

About the Project

Professional wrestling and superhero comics have more in common than audiences might expect. Both rely on serialized storytelling, larger-than-life characters, clearly defined heroes and villains, and a shared grammar of spectacle and myth. Yet despite their obvious kinship, few sustained academic studies have examined the two forms side by side.

Superheroes of the Squared Circle aims to fill that gap. This edited collection will bring together essays that explore the rich connections between professional wrestling and superhero media — including comics, film, and television — from a variety of disciplinary perspectives. Contributors might examine narrative structure, character archetypes, cultural significance, performance, identity, or any number of other angles. The goal is a volume that is rigorous without being inaccessible, and that will appeal to both scholars and serious fans of either (or both) forms.

Topics of Interest

Essays may address, but are not limited to, the following:
  • The history of professional wrestling and its parallels with superhero narrative traditions
  • Kayfabe and comic book continuity: shared logics of suspension of disbelief
  • Heels, babyfaces, and the villain-hero binary across wrestling and comics
  • Wrestlers and their superhero analogs (e.g., Hulk Hogan and Superman; the nWo and the Punisher)
  • Lucha libre and its intersections with Latin American superhero and comics traditions
  • Japanese puroresu, manga, and anime: shared themes of perseverance, honor, and the heroic struggle
  • Gender and representation in wrestling and superhero media
  • Race, ethnicity, and identity in the ring and on the page
  • The evolution of both forms in the streaming era (WWE on Netflix; the MCU, DCU, and The Boys)
  • The crowd as character: audience, kayfabe, and participatory culture
  • Wrestling's influence on superhero comics, film, and television — and vice versa
  • Disability, body politics, and the superhero/wrestling ideal
  • Comics adaptations of wrestling figures and promotions

Submission Guidelines

Interested contributors are invited to submit a proposal consisting of:A 250–300 word abstract describing the essay's argument, methodology, and significance
A brief contributor biography (100 words or fewer), including name and institutional affiliation (if applicable)

Accepted essays should be approximately 6,000–7,000 words (excluding references) and formatted according to the Chicago Manual of Style (author-date system).

Co-authored essays are welcome. AI co-created or fully AI-generated work will not be accepted.

Contributors will be responsible for securing reproduction permissions for any images used in their chapters. The editor will provide guidance on fair-use standards and publisher image specifications.

Proposed Timeline
  • Abstract Deadline: July 15th, 2026
  • Contributor Notifications: August 1st, 2026
  • First Drafts Due: October 15, 2026
  • Final Drafts Due: December 15, 2026
  • Manuscript Delivered to Publisher: Jan/Feb 2027

About the Editor

Forrest C. Helvie, Ph.D. is a Full Professor of English at Connecticut State Community College and an experienced editor of academic collections in comics and popular culture studies. He has written about comics for Marvel.com, Newsarama, Sequart, and Popverse, and is the editor of How to Review and Analyze Comics (Sequart, 2021) and Superheroes and American Exceptionalism (McFarland, forthcoming 2026). He holds a Ph.D. in English Literature and teaches composition at the college level.

How to Submit

Please send abstracts and contributor bios to:

Forrest C. Helvie, Ph.D.

forrest.helvie@ctstate.edu

Please use the subject line: Squared Circle Submission — [Your Last Name]

Questions about the project are welcome. The editor is committed to building a diverse contributor pool that reflects the global reach of both professional wrestling and superhero media, and actively encourages submissions from scholars working in international, cross-cultural, and underrepresented perspectives.



Last updated June 12, 2026


CFP Superhero-Con Symposium (10/17/2026; PCEA 4/10/2027)

Superhero-Con Symposium


deadline for submissions:
April 10, 2027

full name / name of organization:
Pennsylvania College English Association

contact email:
pceaconference2027@gmail.com

source: https://call-for-papers.sas.upenn.edu/cfp/2026/07/10/superhero-con-symposium



The rise of the superhero is one of the most significant cultural developments of the twentieth and twenty-first centuries. Since the debut of Superman in Action Comics #1 (April 18, 1938), superheroes have evolved from colorful comic-book figures into powerful global symbols that shape conversations about politics, morality, identity, technology, gender, race, mythology, trauma, and resistance. What began with the imaginative vision of Jerry Siegel (writer) and Joe Shuster (artist) has expanded into a worldwide phenomenon spanning comics, film, television, literature, gaming, digital media, and academic discourse.



The Superhero Symposium: Exploring the Cultural Significance of Heroes Across Texts and Cultures invites scholars, educators, students, artists, and fans to explore the enduring significance of heroes and superheroes across texts and cultures. This interdisciplinary symposium seeks to examine how heroes, especially superheroes, reflect societal anxieties and aspirations while simultaneously redefining concepts of justice, power, humanity, and even heroism itself. We welcome proposals (250-300 words) that engage with superheroes and other heroes through literary criticism, cultural studies, rhetoric, philosophy, psychology, media studies, mythology, history, pedagogy, gender studies, political theory, or related disciplines.



Possible topics include, but are not limited to:
  • The evolution of the superhero genre
  • Heroes/superheroes and mythology
  • Race, gender, and representation in comics and film
  • Trauma, identity, and the dual self
  • Heroes/superheroes as political or ideological symbols
  • Fan culture and participatory media
  • Adaptation from comic page to screen
  • Ethics, vigilantism, and justice
  • Global heroes/superheroes and transnational narratives
  • Teaching heroes/superheroes in the classroom



Along with presentations on our super theme, the symposium also welcomes traditional papers, roundtable discussions, creative presentations and readings, as well as multimedia projects. Join us as we examine the stories and symbols that continue to shape modern culture and redefine what it means to be heroic.



Proposal Due Date: Saturday, 17 October 2026



Proposal Email: pceaconference2027@gmail.com



PCEA Website for Conference Information: Home | pcea-online v2



Last updated July 10, 2026

CFP Rise and Fall of Comics and Cartoons, and the Popularity of Graphic Novels in India (7/20/2026)

Rise and Fall of Comics and Cartoons, and the Popularity of Graphic Novels in India


deadline for submissions:
July 20, 2026

full name / name of organization:
Mahatma Gandhi Central Univeristy

contact email:
deepak@mgcub.ac.in

source: https://call-for-papers.sas.upenn.edu/cfp/2026/06/18/rise-and-fall-of-comics-and-cartoons-and-the-popularity-of-graphic-novels-in-india


Indian comics, cartoons and graphic novels occupy a unique and dynamic space within the country's literary, visual, and cultural traditions of storytelling, especially among children. Earlier, cartooning was a Western monopoly, when Donald Duck, Mickey Mouse, Tom and Jerry were household names, which was later challenged by Japan’s Doraemon, Shin Chan, Kochikame, and Pokemon. India, until 1990, was a new but promising market, where most children preferred comics like Chacha Chaudhary, Tenali Raman, Akbar-Birbal, and Nagraj, as cable TV was not within reach of common people. By the mid-nineties, cable began reaching the common man, and the rise of cartoons and the decline of comics in India began with the launch of several cartoon channels, including Cartoon Network, Pogo, Nickelodeon, Hungama, Disney, Sony Yay, and Animax. These channels' established duopoly of West and Japan in Animation, and then entered Indian series like Chota Bheem and Motu-Patlu, which instantly captured the whole audience. As a result, several channels shut down operations, and now only two cartoon shows, Chota Bheem and Motu-Patlu, are shown all day, which further harms the Indian cartoon industry, as nothing new is created. Second, it limited children's options to only these two cartoons. Third, creating cartoon characters is costly, and most of their sources are in the West, which is already facing losses, resulting in a decline in the cartoon industry, especially after TikTok and Reels. In between, China has already emerged as a dominant player in the international market and captured the space left by Western and Japanese series with their Kung-Fu Panda series. As a result, China is gaining market share as Ne-Zha 2 breaks all previous earnings records.

By bringing diverse perspectives from across disciplines, this book aims to foster critical dialogue on the significance of Indian comics, cartoons, and graphic novels as both entertainment and cultural texts. Through this book, we understand how these genres illuminate the complexities of the past, present, and future, expanding the possibilities of storytelling in contemporary India.

Themes:
  • The Evolution of Popular Visual Culture in India
  • Rise and Fall of Comics
  • Superheroes and common men
  • Western and Japanese Cartoons in India
  • History and Transformation of Japanese Cartoons
  • Development of Chinese Cartoon Movies
  • Sudden Rise Indian Cartoon
  • Boom of Cartoon TV Channels
  • Decline of the Indian Cartoon Industry
  • Beginning of Graphic Novels
  • Future of Cartoons and Graphic Novels

Kindly send an Abstract of 250 words at deepak@mgcub.ac.in by July 20, 2026

Bibliography

Dudrah, R. K., & Varughese, E. D. (2020). Graphic novels and visual cultures in South Asia. Routledge.

Jha, S., Gusain, A., & Krishnan, A. R. (2026). Documenting lives: Comics, representation, and activism across cultures. Springer.

Nayar, P. K. (2016). The Indian graphic novel: Nation, history and critique. Routledge.

Varughese, E. D. (2018). Visuality and identity in post-millennial Indian graphic narratives. Springer.





Whataspp Group:

https://chat.whatsapp.com/IdoPsvoCaL0L7RebTopJ9g


Last updated June 26, 2026